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M81 in HA,G,B
- Seanie_Morris
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17 years 11 months ago #39811
by Seanie_Morris
Midlands Astronomy Club.
Radio Presenter (Midlands 103), Space Enthusiast, Astronomy Outreach Co-ordinator.
Former IFAS Chairperson and Secretary.
Replied by Seanie_Morris on topic Re: M81 in HA,G,B
Your site is offline at the moment Dave...
Midlands Astronomy Club.
Radio Presenter (Midlands 103), Space Enthusiast, Astronomy Outreach Co-ordinator.
Former IFAS Chairperson and Secretary.
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- DaveGrennan
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- IFAS Astronomer of the Year 2010
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17 years 11 months ago #39818
by DaveGrennan
Regards and Clear Skies,
Dave.
J41 - Raheny Observatory.
www.webtreatz.com
Equipment List here
Replied by DaveGrennan on topic Re: M81 in HA,G,B
Seems to be working fine at 4:45pm Seanie, but thanks for the heads up.
Regards and Clear Skies,
Dave.
J41 - Raheny Observatory.
www.webtreatz.com
Equipment List here
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- dmcdona
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17 years 11 months ago #39870
by dmcdona
Replied by dmcdona on topic Re: M81 in HA,G,B
Dave - it is recommended that flats are taken at your precise focus point. That could become a right royal pain. But in reality, we don't suffer extreme temperature swings here in Ireland so the focus point shouldn't change enough for it to be a problem for pretty pictures.
What I will do (when I get my lightbox) is setup the optical train, foucs and then shoot some images to make sure all is in order. then I'll shoot the flats at that precise focus point (for each filter). They'll now be master flats. I'll also shoot darks for the same length of time as the flats were exposed. Combining the two then, I'll have a dark-subtracted master flat set for each filter. I may need to go the extra mile for science stuff and shoot flats at differing focus points - but I'll cross that bridge later...
That should be job done - until the optical train changes...
Dave
What I will do (when I get my lightbox) is setup the optical train, foucs and then shoot some images to make sure all is in order. then I'll shoot the flats at that precise focus point (for each filter). They'll now be master flats. I'll also shoot darks for the same length of time as the flats were exposed. Combining the two then, I'll have a dark-subtracted master flat set for each filter. I may need to go the extra mile for science stuff and shoot flats at differing focus points - but I'll cross that bridge later...
That should be job done - until the optical train changes...
Dave
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